Each piece is created in my studio and explores the different relationships between structure, material and form. Some of my original work is available to purchase or can be recreated as a unique piece.
Featuring at Milan Jewellery Week 2026: 20-26 October. Artistar Jewels, Palazzo Bovara, Corso Venezia, 51 Milan
A signature showcase of structural minimalism, featuring a warm organic amber cabochon suspended within a rigid, open-frame architectural band. The interior chamber is fused with 24ct gold Keum-boo, casting a radiant, golden glow through the amber as it interacts with light.
An exquisite study in organic form, silversmithing, and structural design. Mizukagami features a blooming water lily focal piece with an amber centre, paired with an articulated lily pad chain and an accompanying hand-fabricated silver vessel designed to fully enclose the chain.
Open structures that create the perception that the gemstone exists independently within the metal.
A faceted amethyst appears to float within an open silver framework, held between two polished planes by a series of slender structural pillars. The open construction allows light to enter the stone from multiple directions, while the mirrored interior reflects and intensifies its violet colour. The piece explores the relationship between stone, structure and negative space — creating a moment where the mechanism that holds the gemstone becomes almost invisible, leaving the stone suspended within the frame. Available in alternative materials or gemstones by commission.
A slender emerald-cut diamond is held within a precisely constructed silver framework, its long geometric form echoing the linear structure that surrounds it. Open sections and slender internal supports allow the architecture to recede, leaving the diamond visually suspended within the ring. The clean geometry creates a deliberate contrast with the brilliance of the stone, exploring the point where structure becomes setting and setting becomes form. A study in restraint, proportion and suspension.
A vivid emerald-cut pink moissanite is held between two polished silver planes, suspended within an open geometric frame. Exposed rivets and slender supports reveal the construction of the piece, while the open chamber allows light to enter the stone and draw out flashes of magenta and violet. The contrast between the rigid silver framework and the intense colour of the gemstone creates a study in structure, light and negative space — where the mechanics of the setting become part of the visual language of the ring. Available in alternative materials or gemstones by commission.
A faceted red garnet is held within an open silver framework, its deep colour set against a warm field of 24ct gold applied by Keum-boo to the inner band. The open construction allows the stone to remain visually separated from the surrounding structure, while the gold reflects light back through the garnet and intensifies its changing red tones. The piece explores the relationship between stone, structure and reflection — using precious metal not only to hold the gemstone, but to alter the way it is perceived. Hand-fabricated in sterling silver and finished with 24ct Keum-boo gold.
A pale pink morganite extends through an open sterling silver framework, its faceted form contrasting with the precise geometry of the surrounding structure. The stone appears to emerge from the frame while remaining suspended within the open space, creating a dialogue between organic form and constructed geometry. The piece explores the point where structure meets stone — allowing the natural character of the gemstone to interrupt the discipline of the frame rather than conforming to it. Hand-fabricated in sterling silver.
Hand-fabricated in sterling silver, this ring explores reflection through an open geometric framework. The highly polished inner surfaces act as a series of mirrors, capturing and fragmenting the surroundings of the wearer as the ring moves. With no gemstone to provide a focal point, the structure itself becomes the subject. Light, reflection and negative space continually change the appearance of the piece, making the ring as much an interaction with its environment as an object worn on the body.
A study in architectural balance and kinetic elegance, this sculptural ring suspends a vibrant green amber cabochon within an open, dual-plate frame. Crafted from high-polished sterling silver, the modern structure borrows design cues from fine watchmaking—featuring hand-finished perlage (circular graining) across the inner walls to catch and scatter light behind the floating gemstone.
Echoing the clean geometry of its companion ring, this pendant explores verticality, asymmetric balance, and tension. A luminous cabochon of natural green amber is suspended between twin, elongated sterling silver runners, held in place by precision crossbars that lend the piece its light, ladder-like architecture. An integrated chain pass allows the pendant to hang flush and fluidly along the neckline.
Inspired by the celestial drama of the August 2026 solar eclipse, this piece translates an astronomical alignment into wearable sculpture. A golden, inclusion-rich amber cabochon sits suspended within parallel sterling silver rails, while a bezel-set brilliant-cut diamond rests upon the upper rim—evoking the iconic "diamond ring effect" just as totality breaks.
Stripped of ornament and gemstone, this hand-fabricated ring explores structural volume, pure geometry, and negative space. Two mirror-polished circular planes run in precise parallel alignment, separated and anchored by a series of vertical cylindrical pillars with visible riveted terminals along the outer rim. The open-cage architecture transforms the void between the tiers into the primary medium of the piece, allowing ambient light to flood the interior cavity and cast dynamic shadows against the polished metal. An exacting exercise in structural discipline, balance, and mechanical honesty. Hand-fabricated in sterling silver.
Exploring the duality between solid mass and fluid kinesis, this pendant centers on a domed sterling silver hemisphere cleaved by a vertical fissure. Suspended within the shadowed central aperture rests an iridescent labradorite, its subtle blue-green schiller protected within the hollow metal shell. Escaping from the lower void, a waterfall of articulated silver chain strands spills downward, introducing kinetic rhythm and continuous tactile movement against the rigid stillness of the dome. The piece balances architectural enclosure with fluid release, transforming the central cleft into a point of dynamic emergence. Hand-fabricated in sterling silver and labradorite.
Drawing inspiration from the volcanic landscapes of Iceland, this sculptural pendant captures the raw power of geological rupture within a refined architectural form. A gently arched sterling silver shield is divided by an asymmetric fissure inlaid with dark volcanic basalt sand, referencing tectonic boundaries and earth fractures. The surface finish creates a deliberate dialogue of textures: a brushed, satin-finished plane on one side balances a mirror-polished curved facet on the other, framing the mineral seam between two contrasting states of light. Designed with an integrated bail, the piece sits flush against the collarbone as an elemental artifact of volcanic earth and clean metal discipline. Hand-fabricated in sterling silver with Icelandic basalt sand.
The stone holds the structure, the setting becomes dependent upon opposing forces.
An oval cabochon sapphire is held between two opposing silver bands, with the pressure of the structure securing the stone without conventional claws or a surrounding bezel. The open construction leaves the sapphire exposed on all sides, allowing its smooth surface and deep blue colour to remain the visual focus. The piece explores tension as both a structural principle and a visual language — the stone appears to hold the two elements apart while simultaneously being held by them. Hand-fabricated in sterling silver with an oval cabochon sapphire.
An oval cabochon pink ruby is held between two intersecting bands of 14ct yellow gold. The bands curve around one another, creating the tension that secures the stone while leaving much of its smooth surface exposed. The ruby becomes the point of interaction between the two elements — holding the structure apart as the structure holds the stone in place. The flowing curves of the gold contrast with the soft, rounded form of the cabochon, creating a study in balance, force and movement. Hand-fabricated in 14ct yellow gold with an oval cabochon pink ruby.
A round brilliant-cut sapphire is held between two intersecting bands of sterling silver, with only a small portion of the stone revealed at their meeting point. The restrained setting creates a subtle tension between concealment and exposure, allowing the sapphire to emerge from the structure rather than sitting upon it. The piece explores how little is needed to hold a stone, and how much can be suggested by what remains unseen. The continuous silver bands retain their simplicity while the sapphire becomes a small, concentrated point of colour and light. Hand-fabricated in sterling silver with a 4mm round brilliant-cut sapphire.
Where material becomes the subject of exploration
Exploring volume, enclosure, and rhythmic aperture, this pendant is constructed as a hollow, sculptural vessel formed by two converging curved hulls. The front plane is pierced with vertical architectural louvers that filter ambient light into the interior chamber, while the open rear hull mirrors and redirects reflections through the void. Cantilevered across the lower aperture, a vibrant pink tourmaline is secured within a precision cylindrical bezel, hovering at the threshold between interior space and external architecture. The piece investigates the tension between protective containment and visual permeability, turning light and negative space into structural material. Hand-fabricated in sterling silver and natural pink tourmaline.
Inspired by the imagined tear of a mermaid, this sculptural piece explores the meeting of organic form and fluid movement. Hand-formed silver flows into a singular, elongated shape, its highly polished surface reflecting light like water. Both jewel and sculpture, Mermaid’s Tear transforms a fleeting moment into a bold, tactile object.
Abstract floral lines, meticulously hand-sawn within a clean, precise circle. With a beautifully mirror-polished surface, this piece captures the light with every movement.
A rich oval garnet cabochon set within a sculptural sterling silver form. Bold yet refined, the deep red of the garnet contrasts beautifully with the tactile character of the hand-finished silver.
Hand-formed sterling silver and garnet come together in a bold sculptural necklace. Finished with a meticulously crafted handmade box catch, the piece balances strong geometric form with the natural character of the stone.
An oval Lightning Ridge opal set within a sculptural sterling silver form. The opal’s shifting flashes of colour emerge against the dark depth of the stone, creating a striking contrast with the clean, hand-finished silver.
A sculptural two-part ring combining a hand-forged silver band with a separate setting band, supporting a raised amethyst cabochon. The contrasting forms create a layered composition of movement, structure and volume.
Do you have a piece in mind? Get in touch and we can discuss it further.
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